REVIEW: “Saltire” Volume 1

(Diamondsteel Comics, 2013)

Review by Brad Gischia

Created by John Ferguson
Art by Tone Julskjaer & Gary Welsh
Cover by Jim Devlin

One of the core ideas of the comics world, especially that of the Marvel U, is the insistence that heroes can come from anywhere. One of the key points that made me fall in love with the X-Men was that they were a truly international group, with members coming from countries across the globe. And I always wondered…could they manage to survive in a book of their own? Continue reading

REVIEW: “Marvel Knights: X-Men” #1

(Marvel Comics, 2013)

Review by Shawn Warner

Written & Artwork by Brahm Revel
Color Artwork by Christiane Peter

Do you need a break from all the time traveling, crossed over and tied-in big event stories in the X-Books? Well Marvel Knights- X-Men may be just the cure for what ails you. Continue reading

‘Lost in the Longbox’ Episode 20: “What If?” #6

LostInTheLongbox-logo-2

What If…? Vol. 2 #6
(Marvel Comics, 1989)

Writer – Danny Fingeroth
Penciler – Ron Lim
Inker – Keith Williams
Colorist – Tom Vincent
Letterer – Gary Fields

Greetings from the Wasteland!

I discovered Marvel’s What If…? series with this issue. It spawned a love of the Watcher, the most benign character in the Marvel U. These books took the main plotlines in the Marvel Universe and retold them with another, usually darker, ending. Continue reading

REVIEW: “Star Wars” #11

(Dark Horse Comics, 2013)

Review by Zakk Saam

Written by Brian Wood
Artwork by Carlos D’Anda
Color Art by Gabe Eltaeb
Lettering by Michael Heisler

In a galaxy far, far away…

There was non-stop action. Star Wars #11 by Brian Wood (DMZ, Ultimate Comics: X-Men) is a heart pounding ride in a space battle between the Galactic Empire and the Rebel Alliance. Continue reading

REVIEW: “Amazing X-Men” #1

(Marvel Comics, 2013)

Review by Shawn Warner

Written by: Jason Aaron
Pencils by: Ed McGuiness
Inks by: Dexter Vines
Color Art by: Marte Gracia

When I initially heard of Amazing X-Men my first thought was, can I afford another monthly X-Book at $3.99? Then I found out that Jason Aaron and Ed McGuinness were at the helm and my question became, can I afford not to get this book? After reading the first issue any lingering doubts I may have had have been unequivocally put to rest. Continue reading

REVIEW: “X-Men” #1 (2013)

(Marvel Comics, 2013)

Review by Cory Thrall

WRITTEN BY:  Brian Wood
PENCILS BY:  Olivier Coipel
INKS BY:  Mark Morales & Olivier Coipel
COLOR ARTWORK BY:  Laura Martin
LETTERING BY:  VC’s Joe Caramagna

This opening issue to Marvel’s newest X title – just “X-Men” this time around – is an interesting one, to say the least.  What you might normally expect from a first issue, and especially an X title, is a huge opener with a ton of weight and characters to toss around, with huge villains and even larger problems. Continue reading

VIDEO REVIEW: “Age of Ultron” #1

(Marvel Comics, 2013)

We here at Bag & Bored are more than excited to announce a partnership with the video reviewers over at 2ComicNerds, who have a wonderful YouTube channel where they do regular reviews, so be sure to check that out, as well!  Here we have them reviewing “Age of Ultron” #1, in wait of issue #2, out this coming Wednesday, March 13th.  Here’s what they had to say, and be sure to check out their channel, linked below the video.  We hope you enjoy!

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Their YouTube channel can be found here:  www.youtube.com/user/2ComicNerds?feature=watch

You can reach the team on Twitter:  @2ComicNerds

 

 

REVIEW: “All New X-Men” #8

(Marvel Comics, 2013)   –   Reviewed by Sam LeBas

Writer:  Brian Michael Bendis
Artist:  David Marquez
Color:  Marte Garcia
Letterer:  VC’s Cory Petit

All-New_X-Men_Vol_1_8

Issue #8 of All New X-Men delivers humor, action, character development, and the realization that these characters are asking many of the same questions that we readers have been mulling over these last few months.

Bendis’ storytelling remains engaging. He shows his skill at juggling a large cast of characters while simultaneously advancing this high-concept plot. This series makes each character’s motivation clear, and deserves credit for allowing these motivations to matter. Each member of the team has agency and narrative weight, but somehow does not bog down the overall momentum of the story.

In this issue we finally get the opportunity to learn more about Warren as he fights alongside Angel to protect the Avenger’s Mansion from Hydra’s forces. Warren’s anxiety about his future crystallizes as he learns more about this contemporary version of himself. Bendis incorporates character development and action expertly in this stunning sequence. Just as the battle reaches its pinnacle, the Avengers make their appearance.

The realization that Hank McCoy has tampered with the space-time continuum does not sit well with the Avengers. They travel to the Jean Grey School to confront the doctor, with Captain America serving as ambassador. A conversation about ethics and consequences of scientific principles between a genius and a moral straight-arrow should not bring about much laughter. However, Bendis finds a way to diffuse the tension; giving the story a moment of levity as Kitty and Bobby approximate the exchange out of earshot of Cap and McCoy.

Warren’s apprehension about the future, and desire not to know what it holds for him lead him to make an ill-advised attempt to go home. Thankfully, there is a voice of reason to stop him. Despite the high-flying action sequence, the confrontation with the Avengers, and the breakdown of one of the main characters; the most important moment of this issue may be its reminder that Jean Grey is a wild card. What are the implications of such a young version of Jean having access to so much history that has not yet come to pass? If you are not asking yourself that question, you might be missing the point. This foreshadowing casts a long, dark, ominous shadow that plunges the series into a new level of darkness.

Marquez artwork is very well suited for this series. He consistently brings a youthful exuberance to the page, and captures character with a seeming effortless. He gets the outside of the heads so right, that it is easy for the reader to get inside them. His work truly adds to the narrative quality of the book highlighting its themes and nuances, not in an obvious way, but by nudging readers to notice what Bendis has already put into the writing. A two page spread of Warren and Angel fighting Hydra’s goons reveals a great deal of contrast between where this character started, and what he has become. Marquez’s visual representation of this idea brings new clarity to a beautiful moment.

Do not miss an issue of this series. It bubbles with action, fizzes with humor, and beats with the pulse of a phenomenal cast of characters driving the book ever forward.

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Follow Sam on twitter @comicsonice and check out her blog comicsonice.com

REVIEW: Uncanny X-Men #2

(Marvel Comics, 2013)   –   Reviewed by Sam LeBas

UNCANNY-X-MEN-2-Cover-smallThe sister book to one of my favorite Big 2 on-goings, (All New X-men) offered up its second helping this week in the pages of Uncanny X-men #2 by Brian Michael Bendis and Chris Bachalo. As of now, I am having a hard time falling in love.

Brian Michael Bendis, master that he is, constructs a lovely, intimate narrative involving the lingering tensions between Scott Summers and Emma Frost. The pair shares a history that would make most Lifetime movies green with envy, and that is apparent in the way they interact here. Emma is not only struggling with the ramifications of a life-altering split with Scott, but also facing the terrifying prospect of living without her mutant abilities. Bendis does an incredible job portraying the storm of emotions raging inside of her.

Facing the age-old dilemma, best defined by The Clash, “should I stay or should I go?” Emma makes the decision to stay.  She decides to serve as a mentor to the world’s newest mutants, whom she, Scott, Magneto, and Magik have been collecting. As the group attempts to explain the mutant way of life to their new recruits, they encounter trepidation from the initiates. Eva, one of the newest mutants, is concerned for the safety of her family. In a display of compassion, Cyclops and his team transport back to her home in Australia. They are unaware that a double agent, Magneto, has called in back up.

So with such a solid storyline, why am I still hesitant to give away my heart? The answer is simple: I cannot embrace the art. Not only does the style of the art seem incongruent to the tone of the book, I question some of the choices made by the artist in a general sense. For instance, I cannot understand why in some when a full figure is shown the proportions of the characters seem altered, while in three-quarter view they retain standard dimensions. I am also leery of the cut and paste style used in some of the ensemble frames. The work looks like a collage of paper dolls pasted on a photo of the sky, because they have a white outline and none of the figures interact. This also makes the figures appear very static. Some pages have large white borders while the panels on the page seem squished. Scott Summers here looks younger (and a whole lot more like John Karsinski) than his younger counterpart featured in All New X-Men.

As you read this be aware that these critiques involve stylistic choices. Bachalo does not do anything wrong, these decisions just does not appeal to my tastes. The art is not bad, and I suppose that for readers who enjoy an Asian-inspired art style, it will seem particularly successful. Two pages in particular did impress me, the full page of Emma Frost in profile and Bachalo’s rendering of the Xavier School.
Another frustrating feature of the book are the layouts. Bendis apparently favors confusing panel distribution in his scripts; I have encountered these snares in his other work. However, if you persevere and find the flow of the panels, you will be rewarded with a great story.

So there you have it, Bendis tells a great story; and I personally can’t get into the slightly manga-inspired art style. The world will eventually recover from the shock I am sure.
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Follow Sam on twitter @comicsonice or check out her blog comicsonice.com